World Literature Questions and Creative Writing Essay

World Literature Questions and Creative Writing - Essay Example On the other hand, God would like to test man’s steadfastness. Oblivion of the game where he is just a pawn, the man tosses on the horns of dilemma until he realizes his limitations. Why did the God do this with me? This is the question that dawn on him when he surfaces into reality. Like Faust, I signed my soul with the devil but I was smart .I told him if at any stage my mind changes I will break the pact. The devil was too sure. He knew after getting the best enticements, no man goes back to God.I am happy, by the grace of God I took a very wise decision. I have strived every time for the best and in this pursuit have found that there is limitation which a man should always accept. Human being is created by God with some inadequacy. We are not born perfect that is why we strive for perfection. Perfection is only found in the God’s kingdom.As He is the epitome of perfection so one should not exceed the limits he has imparted us with. Striving to overcome one’s limitation is going against His Will and denying Him. That is the time when the Devil can lure a human being. I too went through the same plight as Faust but I identified my limits as I knew ,I have my constraints and if I deny my God, I am denying my whole being. Devil won’t give one anything for free, He knows how to lure human, â€Å"...we meet again on the other side...same coin you shall pay me back.†Though it is not an easy pact but I went for it as I wanted to work for the humanity, â€Å"my efforts to reach that crown of humanity, after which all my senses strive?†But, then I realized this endeavor was futile as it would leave me nowhere. I realized all this I can attain in God’s grace as well then why to join an evil company? I realized this fact that a devil will win any how by treachery and deceit. I thank to God that this understanding came to me much earlier and I saved myself from devil. 2. Dear Ivan, Life shows many twists and turns, it is never a pleasant journey and some people are less fortunate. I have heard your plight. It is really distressing and I have failed to understand the justice of God as well. Fair should be rewarded in the God’s court but it seems that he too turns His blind eye for the righteous. You were wrongly convicted and have suffered entire life in galore for someone else crime. Your wife also disbelieved you and your children have forgotten you as well as if you have never existed for them. Your petitions to review the case went unheard and that also did not shake your faith. You had firm faith in God and believed in His Justice but the justice was denied to you. I hold your persona with utmost respect and wonder how were you able to forgive Makar and reconcile with the things. I have undergone same predicament and I am unable to reason with this fact, why I have been mocked and ridiculed. I have picked just a piece of string thinking it might be of some use to me but was accused of pic king wallet that belonged to Maitre Fortune Houlbreque  of Manneville. I was wrongly charged and I came to know Maitre Malandain has laid blame on me. I tried to prove myself innocent by showing the proof of my pick but they laughed and disbelieved me. Maitre Malandain always had grudges against me. I was wrongly indicted, you would be surprised to know that the purse was found and returned to the mayor yet people thought me an accomplice and defamed me everywhere. I tried to prove my innocence to every person I met on my way, I am well aware that at my back they made fun of me and suspected me. I have found the futility of convincing everyone. I have grown ill ,pestering myself and now, I am at the death bed thinking my plight is just like yours my dear friend, the justice is denied to me as well in this human world but I am breathing my last with

Hiromi Goto and Natalka Husar Essay Example | Topics and Well Written Essays - 750 words

Hiromi Goto and Natalka Husar - Essay Example Keiko, the mother, has rejected Japanese food (language and other cultural connections) in an attempt to assimilate her family after the trauma of the wartime internment. And the stories she tells are either about Japanese myths or about her own experiences. And they strengthen this connection; they make a sense of home inside of her no matter where she is. By trying to hold onto her past she attempts to overcome the loneliness she experiences bound to the chair in a foreign country. And finally, in Hiromi Goto's works, restaurants, grocery stores, and supermarkets also help to clarify issues of ethnic identity in the city or country landscape. In Chorus of Mushrooms, two scenes, one in a supermarket and one in a Japanese grocery store, help Murasaki to explore what it is to be Japanese-Canadian. In The Kappa Child, the protagonist is a collector of abandoned shopping carts; she meets the Kappa at a restaurant, and her eventual lover at a Korean market. The urban food locales thus become key moments in the exploration of female Japanese-Canadian identity that lies at the heart of the novel. These comments offer only a quick and partial glimpse into the ways in which community and urban/rural physical and cultural spaces are opened up for discussion by the use of food motifs in these literary works. Ethnic identity in these settings can be seen to be tied not only to what is eaten, but where it is eaten; that is, how the food locale connects to communal social and cultural spaces and the complex issues found there. On the other hand, Natalka Husar is someone very interesting. For Natalka Husar the engagement provokes ethnic anxiety (Fischer 1986), a prevailing condition of estrangement and conflict, as she struggles for recognitions and connections between the place of her parents' birth, as a memory of Ukraine that is not her own, and the place she now inhabits. Born in 1951 to parents who came to the United States in 1949 under the Displaced Persons' Act, Husar grew up in New Jersey before moving to Canada in 1973. In the series, Black Sea Blue (1992-1995), the effect of returning to Ukraine with her mother for the first time since 1969 leads to uneasy, discomforts places in relation to the designation "home." In Torn Heart (1994) a portrait of her mother juxtaposed with a Ukrainian aunt is unsettling for, except for outlines (the noses are the same), the yellow crooked teeth and crude make-up of her aunt speak of impossible differences between the land of riches (America) and the land of poverty (Ukraine). Husar reminds us that we never see our own faces, one of the most compelling signs of who we are as subjects except as they are reflected in a mirror, photograph or painting, or as they are metaphorically projected in the responses other people have to us and we to them. From the disparities of identification, communication and inheritance, a tension arises, in that the face that reflects her mother's features should be, but is not, a meaningful part of Husar's self-understanding. Sentimenta l deers peering out from the landscape behind are reminiscent of mediocre animal paintings (e.g. Karl Blechen's Forest Ravine with Red Deer, 1828), parodying the experience of the romantic hoping to reconnect with primordial ties. Referring specifically to the painting Pandora's Parcel to Ukraine (1993) Husar